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Our Ticketing Reviews  are in
★★★★★

Having used multiple systems for ticketing over the years, StageCenta took the stress out of ensuring our production's ticketing ran smoothly - with the added bonus of advertising our little school show to the general public.

StageCenta is perfect for anyone wanting to streamline ticketing - no fuss, easy to navigate and timely support throughout!! 100% using every show!

Charlotte Gearside
St Clare's College
★★★★★

StageCenta have been a fantastic partner for St Edmund's College in the ticketing and promotion of our 2022 production Little Shop of Horrors. If ever we had any problem, a question, or an issue the team would respond promptly and guide us through the issue, or fix it if it was a backend issue. 

I will definitely be using StageCenta again and would recommend the service to anyone. We have used a ticketing service before, but the transition over to StageCenta was a seamless one and I couldn't be happier. Fantastic service and incredible customer service. 

Nigel Palfreman
Head of Creative and Performing Arts
St Edmund's College

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The Frankie Valli Experience at RPAC The Frankie Valli Experience - Fri 24 July, 7.30pm

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Stagecenta  profiles
Find profiles of your favourite actors or creatives.
Featured  performer
Actor Marni Mount

I'm an actor, writer, and dramaturg working in Canberra, sydney and Melbourne, i'm passionate about good theatre, great comedy, and people of any variety. 

I will soon be appearring in a reading of Dylan van Den Berg's The Camel for CTC at Home and as Lizzie Gael in Echo Theatre's upcoming production of Wolf Lullaby.
 

Selected credits include: Freya in Fragments (The Street Theatre), Hermia/Quince in A Midsummer Night’s Dream (Shakespeare by the Lakes), Amber in Picnic at Hanging Rock, Cynthia in The Real Inspector Hound (National University Theatre Society), Hero in Much Ado About Nothing, various roles in The Art of Coarse Acting (Canberra Repertory Theatre Society), as director: The Importance of Being Earnest (National University Theatre Society), Juris Doctor Strangelaw or How I Learned to Stop Worrying and Cop the 5% (ANU Law Revue).

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ChorusOz Aida
Featured  show
ChorusOz Aida

Sydney Philharmonia Choirs is thrilled to present its annual ‘big sing’ ChorusOzan extraordinary weekend of community and music-making, featuring one of the most spectacular operas ever written, Verdi’s Aida, at the iconic Sydney Opera House on Sunday 7 June. 

Following their 2025 performance of Ralph Vaughan Williams’ A Sea Symphony last year, which saw more than 900 choristers join forces in a ‘tsunami of sound’ (The Daily Telegraph), ChorusOz returns bigger and better than ever with concert highlights from Verdi’s Grand Opera of love, jealousy and betrayal. A highlight will be the famous Triumphal Chorus, but this opera also overflows with favourite arias and duets including ‘Celeste Aida’ and ‘O patria mia’.   

Renowned Australian conductor Brett Weymark OAM leads a chorus of passionate music-makers from every state and territory across Australia, four world-class soloists and the full Sydney Philharmonia Orchestra in an emotional journey of forbidden love, set in ancient Egypt.  

Australian Soprano Helena Dix makes her SPC debut performing the iconic role of Aida for the very first time, alongside mezzo-soprano Angela Hogan also making her SPC debut as Ameris. Tenor Diego Torre (Verdi’s Requiem 2023, Mahler’s Symphony No. 8 2023) sings the role of Radames, and baritone Michael Honeyman (Ode to Joy 2024, Mahler 8 2023, Dvořák’s Requiem 2019, ChorusOz Elijah 2017) is Amonasro.
 

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