Tom Stoppard's Rosencrantz and Guildenstern Are Dead flips the script on Hamlet, focusing on two minor characters bewildered by the events unfolding around them. Summoned by the King to figure out what's wrong with Hamlet, they find themselves lost in a world where a flipped coin always comes down heads, and pirates are an occupational hazard.

Rosencrantz (Alex Comstock) and Guildenstern (Thomas Dimmick) stumble towards their inevitable demise, grappling with their lack of control and purpose in a story they don't even understand. Stoppard's play might just be the most hilarious exploration of fate, free will, and the nature of reality, that our stage has ever seen.

Rosencrantz and Guildenstern are Dead was first staged at the Edinburgh Fringe Festival in 1966 by the Oxford Theatre Group, and it premiered in London at the Old Vic in 1967. The Broadway production was nominated for eight Tony Awards and won four, including for Best Play. It also won Best Play from the New York Drama Critics Circle and Outstanding Production from the Outer Critics Circle. The New York Times called it, “very funny, very brilliant, very chilling.”